Legit 14 hours ‘The Father and the Assassin’ Review: A Star-Making Performance in a Dynamic Play About the Murder of Gandhi
Legit 3 weeks ‘Edward Albee’s Who¡¯s Afraid of Virginia Woolf?’ Review: A Fearless Calista Flockhart Tears Into Zachary Quinto in 60th Anniversary Revival
Legit 4 weeks ‘Macbeth’ Review: Daniel Craig, Ruth Negga Star in a Broadway Production That’s All Smoke
Legit 4 weeks ‘POTUS’ Review: A Rollicking New Broadway Farce About the Women Behind the Idiot in the White House
Legit 4 weeks ‘Mr. Saturday Night’ Review: Billy Crystal Brings the Laughs in His New Broadway Musical
Legit 4 weeks ‘A Strange Loop’ Review: Michael R. Jackson¡¯s Pulitzer-Winning Broadway Musical Is an Unflinching Riot
Legit 4 weeks ‘The Skin of Our Teeth’ Review: Thornton Wilder¡¯s Beautifully Decorated Disaster on Broadway
Legit 1 month ‘Hangmen’ Review: A Killer Broadway Production of Martin McDonagh’s Lethal Black Comedy
Legit 1 month ‘For Colored Girls…’ Review: Broadway Revival of Ntozake Shange¡¯s Riveting Work Reminds Black Women They Are Enough
Legit 1 month ‘How I Learned to Drive’ Review: Mary-Louise Parker, David Morse Star in Sterling Revival of Paula Vogel’s Shocker
Legit 1 month ‘The Minutes’ Review: New Broadway Comedy is a Cunning, Sensational Indictment of American Democracy
Legit 1 month ‘American Buffalo’ Review: Starry but Flat Broadway Revival Doesn’t Make the Case for David Mamet
